穆森马克马巴夫是伊朗赫赫有名的大导演，因此让一个失业兼影迷的年轻人产生了冒充他的愿望，并以穆森·马克马巴夫的名誉向富翁阿汗赫借了一笔钱。若要人不知除非己莫为，东窗事发后，冒充者很快被逮捕并面临申诉。阿巴斯知道此事后，产生了浓烈兴趣，遂进行了跟踪式调查。在采访中，年轻的冒充者很是后悔，他一方面承认了自己骗钱的行径，另一方面也表达了对电影的热爱。最后，富翁决定不再追求年轻人的责任，撤销了对他的控告。更令人惊喜的是，由于这件事，年轻人居然见到了穆森·马克马巴夫本人。在了解一切之后，阿巴斯为此感叹不已，遂根据这则真人真事改编制作了电影《特写》。

德黑兰，记者法拉兹曼德前去报道年轻人霍塞·萨布齐恩因诈骗被捕的事件。原来，失业的油漆工萨布齐恩是一个影迷，他自称是著名导演穆赫辛·马克马尔巴夫，取得阔绰的阿汉卡赫一家信任，向他们借钱拍片。事发后，萨布齐恩被抓。导演阿巴斯·基亚罗斯塔米就此案展开了纪录片似的跟踪调查，他采访了警察， 阿汉卡赫全家，以及萨布齐恩本人。 　　审讯过程中，萨布齐恩为骗取了阿汉卡赫一家的感情而后悔，但他说之所以这样做是因为对艺术的热爱，如果有钱，他真地会拍摄自己的电影。而且，假扮导演马克马尔巴夫赋予了他自信。最后，原告阿汉卡赫家撤销了起诉，而萨布齐恩也见到了真正的马克马尔巴夫，后者骑小摩托带这个年轻人重访阿汉卡赫。

The French-language film will be shot with close-up camera angles and follow Huppert’s character as she takes on the role of successive female characters through several eras from the 17th century to the modern day. They will include a peasant in 1948, an early 20th-century emigrant, a witch consumed by flames in the late 17th century, a mystic and a woman navigating the challenges of war. 　　Huppert told Screen the origins of the project lie with Medea Miracle, after which Bernardi “wanted to make another film that was just a close up of my face, using the face as a landscape, the face as a mechanism through which to tell a wider story about feminism through the centuries.”

The French-language film will be shot with close-up camera angles and follow Huppert’s character as she takes on the role of successive female characters through several eras from the 17th century to the modern day. They will include a peasant in 1948, an early 20th-century emigrant, a witch consumed by flames in the late 17th century, a mystic and a woman navigating the challenges of war. 　　Huppert told Screen the origins of the project lie with Medea Miracle, after which Bernardi “wanted to make another film that was just a close up of my face, using the face as a landscape, the face as a mechanism through which to tell a wider story about feminism through the centuries.”

Armando Iannucci presents a personal argument in praise of the genius of Charles Dickens. Through the prism of the author's most autobiographical novel, David Copperfield, Armando looks beyond Dickens - the national institution - and instead explores the qualities of Dickens's work which still make him one of the best British writers. 　　While Dickens is often celebrated for his powerful depictions of Victorian England and his role as a social reformer, this programme foregrounds the elements of his writing which make him worth reading, as much for what he tells us about ourselves in the twenty-first century as our ancestors in the nineteenth. 　　Armando argues that Dickens's remarkable use of language and his extraordinary gift for creating characters make him a startlingly experimental and psychologically penetrating writer who demands not just to be adapted for television but to be read and read again.

方旖毕业聚会，在酒吧遭遇咸猪手，对方跑得太快，没抓到。没过几天，她去一间律师事务所面试后勤文秘，发现咸猪手竟然是一位知名律师。这位律师完全不认识她的样子，话少又风度翩翩，方旖觉得……咸猪手什么的，一定是她看错了。

方旖毕业聚会，在酒吧遭遇咸猪手，对方跑得太快，没抓到。没过几天，她去一间律师事务所面试后勤文秘，发现咸猪手竟然是一位知名律师。这位律师完全不认识她的样子，话少又风度翩翩，方旖觉得……咸猪手什么的，一定是她看错了。

故事发生在十九世纪的伦敦，故事中所出现的人物均为著名作家狄更斯笔下的角色。亚瑟（约瑟夫·奎恩 Joseph Quinn）和艾米莉亚（塔彭丝·米德尔顿 Tuppence Middleton 饰）悲痛的埋葬了父亲的遗体，让亚瑟感到震惊的是，父亲竟然没有将一分一毫的遗产留给他，这让他在内心里偷偷埋下了复仇的种子。 　　皮条客费金（安东·莱瑟 Anton Lesser 饰）打算将女孩南希（Bethany Muir 饰）送往雅各布（彼得·弗斯 Peter Firth 饰）所主持的晚宴助兴，为了确保南希的安全，小偷比尔（马克·斯坦利 Mark Stanley 饰）决定全程跟随南希，一步也不离开。就在晚宴即将拉开序幕之际，众人却在雪地之中发现了雅各布的尸体，这一宗谋杀案改变了所有人的命运。

Jeremy, James and Richard each buy a used two-wheel drive car for £1500 and drive it for 1,000 miles (1,600 kilometres) across Botswana from the Zimbabwe border across the Makgadikgadi salt plains and through the Okavango Delta to the Namibian border. The Stig's African cousin also makes an appearance.

一部名为《Close Up》的伊朗电影即将在意大利上映，意大利导演兼策划人南尼•莫瑞提（Nanni Moretti）全程参与推广，事无巨细，事必躬亲。从报纸上的宣传广告到影院服务电话，从放映机的投射角度到不同类型观众观影心理。紧张忙碌的生活让他茶饭不思，寝食不安，甚至在睡梦中惊醒。然而商业片大制作当道的今天，有谁会去关注一部不知名导演的小作品？《狮子王》、《四个婚礼一个葬礼》赢得票房胜利，南尼似乎也可以安然睡个好觉了……